Cyberpunk: Edgerunners - Madness is being written by Bartosz Sztybor of CD Project Red. So yes, like literally every single other Edgerunners title ever, this is canon to the games and the further RPG universe.
Good to see my stuff getting referenced again! I always like getting second opinions on if something is legit or not (I thought for a while it was at least legit to scale Ryuko after she breaks out of her Lifefiber World, though ).![]()
Kill La Kill IF (Canon + Stats)
Links to Gameplay: Satsuki Campaign (English) Satsuki Campaign (Japanese)Ryuko Campaign (English) Ryuko Campaign (Japanese) Full game purely in Japanese with no subs (Channel has videos) Game Gloss…gmatchups.wordpress.com
「僕は、次元の…」
プロット:若林広海、雨宮哲 脚本:雨宮哲
出演 ノヴァ:榎木淳弥 ブラックホール星人:檜山修之
ホワイトホール星人:南央美
[あらすじ]
「FINAL SEASON EPISODE ∞。ブラックホール星人と共にブラックホールの彼方に消え・・・」
"I'm from a dimension..."
Plot: Hiromi Wakabayashi, Satoshi Amemiya Script: Satoshi Amemiya
Cast: Nova: Junya Enoki, Black Hole Alien: Nobuyuki Hiyama
, White Hole Alien: Omi Minami
[Synopsis]
"FINAL SEASON EPISODE ∞. Disappearing into the other side of the black hole with the Black Hole Alien..."
1. It vaguely sounds familiar, but I'll have to rewatch the series again to make sure (which I should do so sometime soon).
- Is there anything supporting that Life Fibers/Kamui's can remove toxins from their host? I saw someone on VSB mention that and I can't find the source for the life of me.
- Is the 110 Millions Cannonball Serve (episode 2) ever mentioned in the Kill La Kill Guidebook Kamui Bansho? Or any other Kill La Kill guidebooks?
Teddy 僕がまずメロディとアレンジを大方作って、ボンジュールさんに「こういうイメージで、こんな内容の歌詞だとどうですかね?」って伝えて。そこから彼女がさらに脚本を読んで膨らませてくれた感じです。彼女もアニメが好きな人だから話が早くて、結局完成するまで一度もお会いしなかった。ずっとデータのやりとりだけで、すごくスムーズに。レコーディングも1日で終わりました。
若林 ボーカルはウイスパーな感じと、さらにウイスパーな感じの2種類を用意してくれて。結局「さらに」のほうを選びました。
Teddy 普通はメインボーカルを録ってコーラスいくつかを録って……というくらいですけど、実は今回、20素材くらい録ってるんですよ。「この曲はいろんな歌い方ができると思うので、いくつか送っていいですか」といろんなテイクを送ってくれたので、ここのパーツとここのパーツがいいからはめ替えてみる、みたいなエディットを細かくしました。(資料を指して)この「私の初恋、ビッグバン。」というキャッチコピーが素晴らしくて、頭にすごく残ってたんですよ。ビッグバンする感じを音楽として出したいんだけど、オーダーは「ゆったりした曲」で(笑)。そこを自分なりに考えてみて浮かんだのがこの曲です。
セルフリミックスは「Fly Away」のオマージュ
若林 事務所を通す正式ルートの前に「こんな感じでしょうか?」ってTeddyさんから直接送られてきたのを聴いて、これはイメージしていたそのものズバリだと思ったので、我慢できなくてすぐ本編映像に当ててみたんですよ。2話(「転校生が来た!」)の初恋のシーンに当ててみたら、案の定バッチリで。ルル子が初恋してビッグバンするときのテーマソングにしちゃおうと思い付いて、2人の恋に関わるシーンで必ず登場するようにしたんです。Teddyさんのリミックス(シングルのカップリングに収録される「Pipo Password(Luluco on SILENT PLANET Remix)」)も、今度はノヴァがルル子に恋をするシーン(第12話「告白」)で使っています。このリミックスは「パンスト」の挿入歌「Fly Away」のオマージュだと僕は勝手に受け取ったので、これは本編に使わざるを得ないぞと。
Teddy : Usually I record the main vocals and then some choruses, but this time I recorded about 20 different takes. He said, "I think this song can be sung in many different ways, so can I send you a few?" and sent me a few takes, so I did a detailed edit, swapping out the parts that sounded good here and here. (Pointing to the materials) This catchphrase "My first love, big bang" was great and it really stuck in my head. I wanted to create a big bang feeling as music, but the order was for a "relaxed song" (laughs). I thought about that in my own way and this song came to mind.
The self-remix is a homage to "Fly Away"
Before the official route through Wakabayashi Agency, Teddy sent me a song asking, "Is this how it is?" and I thought it was exactly what I had imagined, so I couldn't resist and immediately tried it on the main footage. I tried it on the first love scene in episode 2 ("A New Student Has Come!"), and sure enough, it was perfect. I thought of it as the theme song for when Luluco has her first love and has a big bang, so I made sure it would appear in every scene related to their love. I also used Teddy's remix ("Pipo Password (Luluco on SILENT PLANET Remix)," which will be included as a coupling track on the single), this time in the scene where Nova falls in love with Luluco (episode 12, "Confession"). I took this remix to be a homage to "Fly Away," the insert song from "Pantyhose," so I knew I had to use it in the main story.
ルル子最終回、2人のラブラブ口上シーンはキズナイーバー キャラデの米山さんが滑り込みで担当してくれました。カワイイとカッコイイが共存してる素敵なシーン!ちなみに、2人がキズナイーバー星を旅できたのは米ちゃんのおかげ。感謝! #ルル子
The end of Space Patrol Luluco actually does feature the Kiznaiver planet, and Lalaco Godspeed stealing a kiznaiver (which given kiznaivers are a genetically inbuilt method of sharing pain, is quite impressive).In the final episode of Luluco, the lovey-dovey speech scene between the two was done by Kiznaiver character designer Yoneyama-san at the last minute. It was a wonderful scene where cuteness and coolness coexisted! By the way, it was thanks to Yone-chan that the two were able to travel to Kiznaiver planet. Thank you! #ルル子
TRIGGER・今石洋之監督作『宇宙パトロールルル子』全話一挙放送☆彡#ニコニコ生放送 にて本日21:00スタートです!銀河指定宇宙移民特区OGIKUBOに住む「超普通」な現役女子中学生・ルル子のビッグバン級な初恋物語…どうぞお見逃しなく!
"Space Patrol Luluco," directed by TRIGGER's Hiroyuki Imaishi, will be broadcast in its entirety ☆彡#ニコニコ生放送 starting today at 9pm!
Don't miss this big bang-level first love story of Ruruko, a "super ordinary" middle school girl who lives in OGIKUBO, the galaxy-designated space immigration special zone...
I really liked Luluco's drama CD, so I'll give you an image of each episode. First, episode 0.5
Another image of the Blu-ray bonus drama CD. It is the assumed episode 8.5. Since Midori is the main character, Usa-san made the title logo even though I didn't ask him to, but it was left unused as a subtitle for the drama CD, so I borrowed it this time. The main story is just Mayumi Shintani.
The last image of the drama CD included as a bonus with the 9/14 Blu-ray. This episode is supposed to be episode 13.5. It's also a good one to smile at.
[Notice ]On sale today "Figure King No. 324" features the PV "Transformers 40th Anniversary Movie" produced by TRIGGER on the cover and in a large feature that spans over 20 pages at the beginning The book is packed with content, including a conversation between director Satoshi Amemiya and producer Hiromi Wakabayashi, selected key animations from the film, commentary on each cut by the editorial department, and even the complete version of the cover illustration for the 30th anniversary edition of Transformers, which Amemiya drew 11 years ago On sale from today, January 28th, at bookstores and online stores! Please check it out
SEASON 0 EPISODE 0
Begins with Lalaco narrating and describing herself as “a super normal and down-to-earth lady that you can find anywhere”, along with her family background and goals, saying she has been living normally and plans to keep on that road.
L: That was the plan, but…
K: THIS IS SPACE PATROL! I KNOW YOU’RE FRIGGIN’ HERE! COME OUT!
Keiji comes crashing into her house looking to arrest her mother, Lilico. He begins shooting like mad and Lalaco is dazzled by this, going “What’s with this guy? There exists such a whimsical lifestyle as this?! He’s totally insane!”
Then Keiji rambles a bit about freedom, introduces himself as
K: I’m Keiji, people call me ikaretension Keiji. Y’are?
(portmanteau of ikareteru = insane, + tension)
L: Lalaco. A normal Lalaco.
K: Lalaco, I see…
He makes a short pause and Judgement Gun Morphes, telling Lalaco to ride on him and shooting up. Lalaco narrates that “I was driven insane, by this insane man who suddenly crashed into my normal and boring life”
L: What I was looking for was this lifestyle! Like you, not giving a damn about the rest and getting all the things you want into your hands, living freely!
K: WHA? I DON’ HEAR YE!
L: You’re insane as hell! Keep it up, crash into the ends of space!!
K: GRAB ON TIGHT!!
Then Lalaco narrates “We married insane, moved to insane city Ogikubo living an insane life where each day we played between life and death, and on an insane night, Luluco was born. We were insane as hell! I thought that this super insane everyday would go on forever, but…”
(fast forward, Luluco is now a toddler(?), Keiji has chilled down)
Here, Keiji nonchalantly suggest that, “in this time and age”, Luluco should learn English, and goes on about some other stuff. Lalaco is taken aback.
L: Whaaat? Why are you talking normal stuff? You’re making her normal!
K: Of course I want to bring her up normally!
L: I don’t want Luluco to have a normal and boring life like I did!
K: Don’t talk nonsense! I don’t want Luluco to burn down her life by living insanely like I did!
L: Having no insanity in life is the same as being dead!!
She starts shooting around, Keiji yells at her to stop and threats to shoot too if she doesn’t. So he does.
Lalaco narrates that she attempted getting into space crimes to drive him crazy again. At one point, she shows up with the red hair she has in the series (she wasn’t born a redhead), which Keiji asks about, surprised. She says she attempted to shoplift [X] using her mother’s [X], got caught and killed by the Space Mafia, some guy in Hell offered her a seemingly stinky kanikama so she beat him up “so he would never stand in two legs again”, which got him begging her to please get out of Hell, so she had no choice but to come back to life and her hair became red.
K: What are you even saying?! You’ve gone friggin’ insane!
L: Quite so!
She laughs maniacally and starts shooting, to which Keiji responds. This is the scene we see as a flashback in the series. She kicks the door open.
K: Where are you going?!
L: I’m off to space to do that around.
K: “That”?!
L: Space pirating!
K: WHA? SPACE PIRATING?!- What’s that?! A huge red space pirate ship, you say?!
L: I’m going to live getting everything I want into my hands!
K: What’s with that half-nude getup!!!
L: This is what a space pirate is! FIRE CANNONS!
K: WEAR SOME CLOTHES! There’s a line even for insanity!
L: You can’t call yourself insane if you care about lines! I’ve already decided to live straight up insanely!! Luluco! You too, live insanely! Pull your trigger! From now on I’m space pirate, Lalaco Godspeed! Keiji, if you want to see me again, come try catching me!!!
Keiji swears out loud that he will. Lalaco narrates “And such, our ultimately insane relationship began. If he manages to someday catch me, then surely…” Laughs creepily and maniacally before shouting “TO BE CONTINUED!”
これ で 1 銀河 レベル 1 銀河 レベル ぐらい です ね。 相当 でかい ん だろ う な。 だから 1 銀河 レベル という こと は 頭 の てっぺん から つま先 まで 3人 ぐらい か な。 光 の 光 の 速度 で 10 万 年。 だ ぜ、 10 万 光年 だろ。 そんな もん も な さ が あり ます よ ね。 だから 下 から 上 まで 行こ う と 思っ たら 大変 な ん だ よ。 大変 です よ。 もう 全然 行け ない です よ。 時速 2 キロ で 動い て ん の って 話 だ な。 これ 相当 な こと だろ う な。 光速 です よ ね。 だから 動い てる の は ね。 光速 で 10 万 年 かかる、 10 万 で 1 そう な ん です よ ね。 超 のろい スピード の パンチ じゃ ない です か。 これ はね、 そうですね、 つまり こう パンチ を 振りかざし てる 宇宙 と それ から 途中 の 宇宙 と で 殴っ てる 時 の 宇宙 を 瞬間 的 に 宇宙 が 連続 し てる わけ な ん だ よ。 だから 光 で は なく て も すごい スピード で 走っ てる よう に 見える わけ ね。 アニメ の 原理 と 一緒 な ん です ね。 1 分間 に 24つ 宇宙 が 選択 し てる わけ な ん だ。 1 秒間 か。 それ は いら ない。 そんな 説明 な ん だ よ。 そんな。 そういう こと か。 大丈夫 だ よ。 まあ これ で ようやく 同じ 大き さ で 戦える よう に なる。 ジェノム が ここ で 久しぶり に 肉体 を 持っ て くる と、 みんな が こんな 色 だっ た の か って びっくり し て た みたい です ね。 スタッフ も う わぁ、 こんな 色 って。
(Also as a footnote, this might just be the most galaxy-brained method of FTL travel I've ever seen.)This is about one galaxy level. It must be pretty big. So one galaxy level is about three people from head to toe. 100,000 years at the speed of light. 100,000 light years. There's not much of that. So if you try to go from the bottom to the top, it's really difficult. It's really difficult. You can't go at all. They say it's moving at 2 kilometers per hour. That must be pretty big. That's the speed of light. So it's moving. It would take 100,000 years at the speed of light, so it's 1 in 100,000. Isn't it a super slow punch? Well, that's because the universe where the punch is being thrown and the universe in between are connected for an instant. That's why it looks like it's running at a high speed even though it's not the speed of light. It's the same principle as anime. 24 universes are selected per minute. In one second? That's not necessary. That's the explanation. That's it. Is that so? It'll be fine. Well, with this, they will finally be able to fight at the same size. When the Genoms returned here with a physical body after such a long time, everyone seemed to be surprised that they were that color. Even the staff were like, "Wow, they're that color?"
この シーン は テレビ で 見 て 最高 だっ た から こそ、 あの テレビ だ と ちょっと こう 認識 でき ない ところ が ね、 速 すぎ て ね、 ぴょんぴょん し ます けど。 どういう こと です か? あれ はね、 間違っ た 銀河 です ね。 あれ やばい。 今市 さん さすが に これ 銀河 間違え てる よ って 言っ た けど、 面白い から いい や っていう、 そっ か 間違っ た 解釈 で 銀河 を 投げ て 投げ られる よう な もん だ から。 そう か そう か。 つまり この 銀河 は 宇宙 は 認識 宇宙 だ から 飛ん だり 跳ね たり 投げ たり できる 宇宙 って 考えれ ば 大丈夫 な ん だ よ。 そっ か。 でも シナリオ 宇宙 の 段階 で 中島 さん の 方 から あの 銀河 手裏剣 って 何 です か? って 話 に対して ピュー と 投げれ ば いい ん です よ って 言っ て た の が、 もう そろそろ 発端 だ と 投げ て。 昔 から いろいろ おかしい です から。 おかしい よ ね。 認識 おかしい です から。 間違っ てる ん じゃ ない から 大丈夫 大丈夫 大丈夫。 ぎゅ って 丸める の か と 思っ たら、 その まんま って 面白い です よ ね。 やっぱり ものすごく 高速 回転 し て から きっと 硬く なっ て ん だ ね。
From The Lights in the Sky are Stars staff audio commentary (2009), featuring Kazuki Nakashima (the writer), Hiroyuki Imashi (the director), Masahiko Otsuka (assistant director), Sushiro (key animator), Atsushi Nishigoori (character designer) and Yoh Yoshinari (animator).This scene was amazing when I saw it on TV, but it was a little hard to understand on TV, it was too fast, and it was bouncing around. What does that mean? That's the wrong galaxy. That's bad. Imaichi-san said that this galaxy is wrong, but he said it's funny so it's okay, so it's like throwing a galaxy with a wrong interpretation. I see, I see. In other words, this galaxy is a universe that can fly, bounce, and be thrown, so if you think of it as a universe that can fly, bounce, and be thrown, it's fine. I see. But when Nakajima was in the Universe scenario and asked "What is that galactic shuriken?" he said that it would be fine if he just threw it, and now he's throwing it because it's about time to start. There's been a lot of weird stuff going on since way back. It's weird, isn't it? It's a weird perception. It's not wrong, so it's okay, okay, okay. I thought it would be rolled up, but it's funny that it's just the way it is. I guess it must have become hard after spinning at such high speed.
もしかして 色 とか なんか やっ てる かも しれ ない です けど、 あの 多元 宇宙 の ブレーン みたい な の が ある じゃ ない です か。
I may have done something with the colours or something, but there are things like the brains of the multiverse.
ドリル 出過ぎ じゃ ない です か。 でも 今 の そうですね、 気持ち 悪い よ ね。 気持ち 悪く ない よ。 全然。 こう いっぱい も 無量 対数 です けど ね。 無量 大数 って 言っ とけ ば いい の か って 話 も ある けど ね。 僕 ね、 無量 大数 って 何 か 知ら なかっ た ん です よ。 出し すぎ、 肌 を。 陽子 陽子 これ やっぱ 宇宙 線 を いっぱい 浴び て 肌 を 綺麗 に しよ う という 作戦 じゃ ない です か。
https://ja.wikipedia.org/wiki/無量大数I think the drills are too much. But you're right, it's not very nice. It's not uncomfortable at all. Not at all. This lot is also a muryutaisuu. There is talk about whether it's enough to just say ‘immeasurable great number’. I didn't know what an immeasurable great number was. Too much, too much skin. Proton Proton This is a strategy to make your skin beautiful by exposing it to cosmic rays a lot, isn't it?
Although it would seem the Galactic Spiral Abyss has an edge (the surface) and a centre (the Death Spiral Machine), there is at least one other reference to the Galactic Spiral Abyss being its own space.Before they have time to mourn the deaths of their fallen comrades, Super Galaxy Dai-Gurren is hit by a new attack from the Anti-Spiral. The universe turns into a dense ocean, sinking Super Galaxy Dai-Gurren into the depths of the abyss. As they struggle in the infinite hell, where their mass increases the more Spiral Power they exert, more enemy units surge from the surface and launch relentless attacks. At this rate, it's only a matter of time before they collapse, and even if they surface, they will be hit by a fierce enemy attack. Gimi and Darry are in despair at the situation they are in, and are unable to do anything. Kittan tells them that it's not that they aren't afraid of dying, but it's precisely because they're afraid that they move forward. Simon and the others then embark on a desperate plan that may seem reckless at first glance.
The Death Spiral Machine that creates this space
人類の未来を守るため、そして愛するニアを救うため、シモン達はアンチスパイラルの母星を目指す。その行く手を遮る、銀河を埋め尽くすほどの敵艦隊。その数、無量大数!
To protect the future of humanity and save their beloved Nia, Simon and his friends head for the Anti-Spiral's home planet. Blocking their path is an enemy fleet that fills the galaxy. There are countless of them!
Speaker 7: いろんな シモン が ね、 可能 性 が 入っ て て、 それ を 束ね て ドリル。
Speaker 1: に し てる の か と 来 まし た ね。
Speaker 7: これ、 村沢 くん に、 あの 合体 バンク 並み に 派手 に し て くれ って。 だから ね、 つっ て。
Speaker 7: There are many different Simons, there are many possibilities in there, and they are all drilled together.
Speaker 1: I was wondering if you were doing this.
Speaker 7: Murasawa-kun asked me to make this as flashy as the combined bank. That's why, you know.
フランクスは男女ペアで乗るし、(ストレリチアのデザインも)白無垢っぽかったりするので、最後にゼロツーを花嫁姿にしてあげよう。全長十何kmのロボットにはなってしまったけれど、子供の頃に誓った2人の結婚式を一番奇麗な姿で実現してあげたい、という話をコヤマさんとしました。それで、ウエディングドレス姿にすることになったのですが、やるならいっそということで、顔だけじゃなく胸や腕も肉体っぽいパーツになりました。「ストレリチア・真アパス」は、地球を守れるくらいの力を持ったゼロツー。ゼロツーにとっては、それは幸せなことだと思うんですよね。人間にはなれなかったけれど、人間の未来を切り開く最終兵器になった。それを幸せな形で見せてあげたかったんです。
Franks rides in male-female pairs, and (Strelitzia's design) looks like a white kimono, so let's make Zero Two look like a bride at the end. Koyama and I talked about how we wanted to make their wedding, which they had vowed to do as children, happen in the most beautiful way, even though they were now robots with a total length of several tens of kilometres. So we decided to make her look like a wedding gown, and we decided that if we were going to do that, we might as well go for it, so not only her face but also her chest and arms were made to look physical. Strelitzia True Apas is a Zero Two with enough power to protect the earth. For Zero Two, I think that is a happy thing. He couldn't become a human being, but he became the ultimate weapon to open up the future of humanity. I wanted to show that in a happy way.