The way at least it's been implied is
Nasu basically comes up with general points to hit, hands it off to the scenario/character handlers and then goes full hands off until it's his turn in the writer's seat
At least for part 1.5/2 and the related events.
I think the whole koyan thing would have landed better if they went all in on the Daji plotline and her connection/relationship with Taikoubou/Taigong.
It's a lot of the same problem with Limbo. The catharsis is somewhat there but in koyan's case she's been such an overwhelmingly shitty person that the whole "woe is me" backstory doesn't land at all. With Daji and Taigong there's the implication of something more under the surface and that shit is dope.
Nasu basically comes up with general points to hit, hands it off to the scenario/character handlers and then goes full hands off until it's his turn in the writer's seat
At least for part 1.5/2 and the related events.
I think the whole koyan thing would have landed better if they went all in on the Daji plotline and her connection/relationship with Taikoubou/Taigong.
It's a lot of the same problem with Limbo. The catharsis is somewhat there but in koyan's case she's been such an overwhelmingly shitty person that the whole "woe is me" backstory doesn't land at all. With Daji and Taigong there's the implication of something more under the surface and that shit is dope.